My house and garden sit on a minor Civil War battlefield - it was a skirmish, really, but it went on all day and by evening the field, according to locals, ran red with blood. Presumably some of the chemical components of that blood are still present in the soil, helping my plants and vegetables to grow.
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When I dig, I find bits of old blue and white china, but also I once turned up a rusting but recognisable end of an old ploughshare, and when the greenhouse was put up, Stewart the Handyman, who levelled the ground, found an old clay pipe, which now lives in our sitting room. But soil itself is the product of a continued interaction between humans and the earth, and is as much part of our history as battles and politics. Indeed, bad harvests have, in the past, been a potent cause of warfare and the toppling of governments, and we need only consider the catastrophe of the American dustbowl to realise the social importance of soil.
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I'm told that adding chemical fertilisers to soil actually kills soil organisms. Soil that hasn't been interfered with is a reserve of precious living creatures - from earthworms to microscopic animalcules - who, like our gut flora, have a lot more to say to our survival than we humans like to think. They take what we put in and spread it among the inert mineral components, making the wonder that we call earth.
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I feed the soil organisms compost, including peelings of oranges from Spain, peach stones from Italy, and bits of more exotic vegetables, thus depositing into the soil the evidence of our own multi-national trading. Newspaper, supermarket vegetables and my own vegetable peelings and outer leaves join grass clippings and such weeds as can be trusted to rot down and not use the compost for proliferation, as the couch and bindweed do. But a more ancient process of assimilation and conversion happens in parallel, as small animals die, and birds and mammals deposit their droppings.
As Eliot puts it, in the four quartets, much better than I can, too: 'flesh, fur and faeces/ Bone of man and beast, cornstalk and leaf.' (TS Eliot: Four Quartets).
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