Showing posts with label Catherine Johnson. Show all posts
Showing posts with label Catherine Johnson. Show all posts

Unfinished Histories by Imogen Robertson

Joshua Reynolds - Study of a black man c.1770

I wonder how much black history is hiding in plain sight in the archives? I’m taking up Louise’s theme from yesterday here and Catherine Johnson's from earlier in the month, it’s one I hope we hear more of in the future, and that is how long, various and multi-faceted black history is in England. Naturally when we talk about race in the 18th century attention focusses on the horrors of the slave trade and the efforts of abolitionists, black and white, to bring it to an end. There is enough to talk about there to keep us going for at least another century, of particular interest to me at the moment is how culpable white abolitionists were in portraying Africans as poor victims, and failing to recruit black voices to campaign alongside them. I'm glad there were black writers who did not need recruiting to make their voices heard such as the first recorded black voter, Ignatius Sancho, and abolitionist campaigners Olaudah Equiano and Ottobah Cugoano all of whom wrote best-selling books. Their activism isn’t well enough known though and often our thinking tends to be wrongly polarized between the oppressed slaves and the white masters. While I’m not for a second minimising the horrors of slavery, it’s just as important to remember there were black people at every level in English society in the 18th century. It’s surprising how many people think there just wasn’t a black community in England before the 20th century. It’s just not true. We’ve been a country of immigration since year dot and people of all races have been coming here, settling down and getting on with life ever since. 

That said, the experience of the mass of the black population of England is largely hidden from us. Just as we see the experience of the vast proportion of the English in general only through the observations of the book and letter reading classes, so outside of those writers mentioned above, we tend to get only hints of the black community. Nevertheless it is enough to know there was a strong black community here even as the slave trade boomed. For instance when two black men were confined to Bridewell for begging in 1773 some three hundred black people visited them to offer support; there were clubs to support fellow blacks who were without a place, and after the Somerset verdict in 1772 the black community held a subscription ball to celebrate. That is not to say the black community was not well integrated too and that leads me back to my first question about how much black history is hidden in plain sight. Unless someone mentioned in a text is specifically referred to as black we tend to assume they are white and that is simply not always the case. 


I’ve been ferreting around in the Old Bailey records. You can learn a great deal about 18th century London by reading them, and there we see black Britons as prosecutors, witnesses and prosecuted. It is clear that the evidence of a black man or woman was as good as anyone else's, and there are plenty of cases where white criminals are transported or executed on the evidence of black witnesses. Sometimes a witness is asked if he is a Christian. One man who said he had been going to church for four years testified, another called Guardaloup who helped chase down a thief did not, because he said he knew nothing of religion. Now, I found those cases, and those of Isaac George, the messenger whose money was stolen after he went to a dance, Thomas Guy, a black highwayman who complained there were a thousand black men in London so why were they picking on him, and William Smith who was acquitted of pick-pocketing because of the ‘people of quality’ ready to testify to his character, because they are all referred to as black in the transcripts, but we should not assume that every person of colour who came up before the court was so designated.

For instance I have been reading about the short and very criminal life of Ann Duck. She was the daughter of a black man and a white woman. Her father taught the use of the small sword to gentleman and was acknowledged a ‘very good master.’ He provided for a good education for Ann, but after his death she began to run wild and ended up in 1743 being repeatedly tried for violent theft.  In fact she was up before the court five times and in only one trial is the fact she is black mentioned. In her account of her crimes given before her execution she herself mentions it only once:

...while the Punch was making, he began to be very rude and troublesome; particularly to Ann Barefoot; (for he seem'd to have no liking to me, he swore he did not like my Face, being of a tawny Complexion) upon which Barefoot severely reprimanded him, and ask'd him what he meant by it? What, did he take them to be Women of the Town? If you do, you are much mistaken, for we are both married Women, and have two very good Husbands (and God knows neither of us were ever married, but we have had many that we call'd Husbands, God forgive us!) Whereupon he began to be a little more civil, and we told him at the same time, it was a Thing they never did in their Lives, go into a House with a strange Man, and that he may take it as a particular Favour.

They got him drunk and stole twenty shillings from him, by the way. 

I wish the Ordinary of Newgate had asked her about her father’s career. Still, looking through those trials it is clear that there was nothing exotic or peculiar about seeing black faces on the streets of London, or in the inns or taverns, lodging houses or grand palaces or the courts. Most of the stories of black Britons have disappeared into time along with those of their friends and neighbours, but that doesn’t mean they are not there. 

Zoffany - Dido Lindsay and Elizabeth Murray


You can find the accounts of the trials of Ann Duck by searching for her name at www.oldbaileyonline.org and, like Louise I recommend Black London - Life Before Emancipation by Gretchen Holbrook Gerzina. 

Buffalo Bill in Blaenau Ffestiniog Catherine Johnson

That title's a bit of a liberty. I don't think Bill ever made it to Blaenau, but he did get to Porthmadog, not far on a fast pony. And the culture of pre European America is something that many people, not just the Welsh or the not white are fascinated by.

This is one of those stories that sits at the back of your head and you know, one day, you'll write about it, but so far I haven't quite worked this one out. But I've looked at this picture below loads of times and wondered what the story was.
This photo is from Conwy Archives. It was taken at the Llandudno Cottage hospital in 1904 and shows two Native Americans ill in bed. I presume the rain got into their prairie bones.

The men were part of Buffalo Bills' Wild West Show which toured Europe many times. Can you imagine it? The farthest northwesternmost corner of Wales, full of farmers and quarrymen and their hard working wives. Can you imagine the  horses, men, women, sharpshooters, chammy leather, boots with silver spurs?

What a change from plain whitewashed chapel walls, hills with no trees, nights lit by rushes and fires made of peat?

When I first heard about the visit I imagined a kind of rain lashed wagon train strung out along what is now the A5 from Cerrig-y-Drudion to Pentrofoelas over the most boggy of Welsh mountains. I presumed the gentleman in the photo getting very bad flu and diverting up the Conwy valley.

A sort of wetter, colder, Oregon trail, only without snakes.

Of course the truth is much less exciting. They came by train. Which is why making it into a story would be much more exciting.

Let's get the Olympics out of the way shall we? Catherine Johnson




Ok, I know many of you have already yawned, or worse clicked your mouse and moved on. But they are coming, and living as I do, a hop and a skip from the massive new entity that is the Olympic Park I really can't ignore the games.

Of course I can't help mourning what has been lost, the island of allotments where we had summer barbeques, the mountain of used fridges that soared higher than a house, the acres and acres of empty, ignored space. And actually I am going to make a brief digression here. Poor old London is worn out, every bit of her used up these days, I don't know how many of you saw the Punk Britannia documentary on BBC4, but there was footage of Covent Garden in the late 70s, empty and derelict with grass, yes grass, growing up through the cobbles. I can just about remember it.
 
 But back to the Olympics. I am not a fan of crowds or sport - much - but the London Olympics are special in my family. In 1948 my Dad arrived in London. He had spent almost a year in disembarked in Liverpool after travelling from New York and Florida and Jamaica, but Liverpool in 1947 wasn't the friendliest place for a Jamaican, there were race riots and he thought he'd come to London, find some work and watch the games. My Mum still has his programmes, annotated with who won what in how many seconds. If he was alive he'd have loved tickets for the athletics, what's more  he'd have told me off for being such a curmudgeon about the cost and the impact and the horrible commercialism.

Enjoy it, he'd say, like everything else, they'll be over soon.