Showing posts with label Queen Victoria. Show all posts
Showing posts with label Queen Victoria. Show all posts

History Exercise in a Hammock by Janie Hampton



This month I offer readers tips on how to get fit, ready for all that calorie-burning reading of history books that you plan to do this autumn. At the end of August you are tired from your holidays. You need to get your mind and body ready, but slowly and gently. Back in the 1980s Jane Fonda put us all to shame with her 'Feel the Burn' exercises. Now, with my patent Hampton History Hammock system, we can all stay fit, practice history and keep cool.
This Swedish lady by artist Anders Leonhard Zorn fell asleep in 1882 .
Will she wake in time for her History Exercise?
The hammock is a historic device, designed for people of all ages, shapes and temperaments. A hammock cradles and supports the back, neck and especially the brain. Hammocks help to relieve stress brought on by computers, stacking dishwashers and taking holidays.

Choosing the right hammock is crucial: it must be long enough to lie straight out in, and wide enough not to fall over the edge. Cotton hammocks are better than netting, which allows bits of your body to bulge through, leaving strange patterns on exposed areas. If the cotton is organic you will also feel smug, which  probably increases your intelligence too.

Attach your hammock to one or two strong trees. It should hang no more than 4 inches above the ground at the lowest point, when you are in it. This ensures that should it collapse, you don’t have far to fall. If you don’t have any trees, do not attach to a wall without a full survey – walls are inclined to bury people alive.
Always lie in the hammock in the direction that gives the best view. This should be away from guilt-inducing objects like the washing line, the shed with the lawn mower or your study with that half-read book waiting in it.
Before you start, place beside your hammock:
A book, quite a heavy one with very long words printed in small type.
A glass of iced water.
Optional bowl of strawberries.

Now for some action: Sit in hammock with legs together outside. Lift legs up and into hammock, and out again, keeping legs together. Do this once or twice, ending with both legs in the hammock. Try and remember the date of the Norman Invasion. Don't try too hard. And, rest. 
This lady in a hammock painted by James Tissot in 1879 had the right idea.
She is in the middle of the first exercise. Image courtesy of The Bridgeman Art Library.
 Warm up exercise: Lie down and feel every bit of your body go floppy. Think beautiful thoughts as you watch the clouds. Can you see an old man emerging? Does this remind you of the date of Napoleon's death? And, rest.

Oblique tummy stretch and underarm flattener: Keeping your legs straight, lean forward and touch your toes. If you can’t reach your toes, just wave at them, and say 'Hello'. Lift your arms up straight, and move them back over your head.
Do this a few times quite slowly. Or just do it once. Think of a number. Is it the same number as Henry VIII had wives? And, rest. 

Knee and bottom toner: Lift one bent leg and then the other leg up slowly. Pull back towards your head. Stop the moment it might hurt. Imagine you are a horse accompanying a Crusader. And, rest.

Waist curl trimmer: Pull knees up, and rock them from side to side. Roughly when was canned food first eaten? And, rest.

Groin and inner thigh strengthener: Bend knees. Pull legs up together, and then flop them apart. Wave your knees apart and together very slowly. Who first used chloroform during childbirth? And, rest.
This young lady has not read the instructions –
the Hampton History Hammock system
must always be carried out on your own. No man may help you.
Beating gravity with triceps stretch: Lift arms in the air and try to pull yourself up by grabbing the air with your hands. Admire the pretty patterns that the leaves make in the tree above you. What year was  an aeroplane first flown solo across the Atlantic? And, rest.

Nutritional exercise for energy boost: Without moving your body, allow arms to flop out of hammock. Wave them about until you make contact with the strawberries. Lift bowl of strawberries up and place on stomach. Now exercise your fingers: lift one strawberry at a time and place in mouth. Work those jaw muscles hard until the strawberry has disappeared. Repeat until bowl is empty. Think about the date when South American strawberries were first eaten in Europe. And, digest. 

This Wife of a British Colonial Officer should not have made these men carry her while she exercises. She should remain in one place, with her hammock attached to two trees.
Improved toner control for hamstring and bottom: Raise your legs in the air, and over your head, and touch the hammock behind you with your toes. Do this backwards and forward, very slowly. Or don't do it at all. Think of a year when Brazil won the World Cup. Just one will do. And, rest.

Warm-down exercise or biceps curl: Now lean out of the hammock and pick up your book. With bent arms, lift the book above your head and close your eyes. How many books are in the British Library? Lower your arms, and open your eyes. Lean out of the hammock, and place book on the ground. And, rest. And rest again.

Advanced cool-down exercise: Swing legs out of hammock and place feet either side of glass of water. Grasp glass firmly with both feet and lift back into hammock, tip glass towards face. Which year did Captain Scott reach the Antarctic? And, rest.

Final exercise to boost your will power: Get out of hammock, and return indoors. This requires considerable determination and commitment. It may take at least an hour to achieve and become more difficult with each Hampton History Hammock session.

In case of rain – do all exercises in your swimming costume.

Only do each exercise for as long as you feel like, and do not exceed 30 seconds. All these exercises require a positive attitude. Be persistent and you will succeed, possibly in time for the autumn.

To ensure success, make a graph showing how relaxed you have become. You can waste even more time by keeping a diary about your time spent in the hammock. Then, in 100 years your great grand-daughters can publish it. 
This luscious lady in pink by Irish painter John Lavery certainly knows how to relax.
She may even be learning some history at the same time.
Answer to questions: 1832; 8; 1810; Queen Victoria; 1927; 1714; 1958,1962, 1970, 1994 & 2002; 150 million; 1912.
Janie Hampton will demonstrate the Hampton History Hammock system of exercises on alternate Mondays, by appointment. 

Textures & textiles of Scottish Artists by Janie Hampton




Queen Victoria was brought up reading the novels of Walter Scott and after her first trip to Scotland in 1842, she became besotted with this part of her kingdom, promoting Highland cattle, tartans and bagpipes. On show at the Queen's Gallery, Buckingham Palace, is a selection of Scottish paintings from the royal collection. I skidded past the misty landscapes that could have been in my great aunt's spare room. The paintings that caught my eye were those dominated by clothes.

The full length portrait of George III (1738-1820) by Alan Ramsay (1713-1784) is a superb example of textile and texture. You can see, and almost feel, the gold brocade jacket and breeches, shiny shoes and smooth white silk stockings of the king's coronation costume. You want to stroke the soft ermine lining the voluminous cloak draped around his shoulders. (How many hundreds of winter stoats (mustela erminea) died to make it?) The 23 year-old king is standing, tall and imposing, on a fabulous Persian carpet, beside soft velvet curtains with golden tassels. His legs appear rather long for his small head, but the point of the portrait was to impress with the sumptuousness of his clothes and textiles. Ramsay made 150 copies of this painting at 80 guineas each (about £150,000 in today's money) for sovereigns, ambassadors and courtiers. He was the first Scot to be made 'King's Painter' and given the title 'Principal Painter in Ordinary'.
Hanging next to him is George's wife, Queen Charlotte (1744-1818) with her two oldest sons. She is depicted as the young, adoring mother of Prince Frederick, later Duke of York, who is sitting on her lap, and Prince George, later George IV, standing at her side. The Duke of York wears a delicious cream silk frock and lace cap. Boys wore 'coats' then until they were 'breeched' at five years old. (Even my uncle, born in 1909, wore frocks until he was five.) Prince George, then about two and half years old, may be in pale blue lace with frills and a satin sash, but he holds a bow to show how manly and fearsome he will become as a king. When she was just seventeen, Charlotte of Mecklenburg-Strelitz was chosen as a suitable wife for the king. It took two weeks to travel from her home in Germany to London, and they were married just six hours after their first meeting. Over the next 20 years she had 15 children. But of the 13 who survived to adulthood, only three produced offspring. Their descendants include all the current European royalty, and, illegitimately, the recent British Prime Minister David Cameron. Charlotte founded orphanages, and was patron of 'Queen Charlotte's Lying-in- Hospital' the first ever maternity hospital. She supported the education of women, including her seven daughters. Ramsay’s talent is shown in the elegance, subtlety and exquisite colouring of this painting, in which he combines the grandeur of a royal portrait with the intimacy of a domestic scene.
In the gallery next door, the full length portrait of  Bonnie Prince Charlie Entering the Ballroom at Holyroodhouse, made me yelp with delight. The painting was executed by John Pettie (1834-93) over a hundred years after the prince's death it was exhibited at London's Royal Academy in 1892. It depicts a moment in 1745 just before Prince Charles (1720-88) marched south unsuccessfully to claim the English throne.

The prince emerges from the shadows into the bright light of the ballroom, with silk ribbons and flowers scattered at his feet. In fact the ball at at the Palace of Holyroodhouse, Edinburgh, was invented by Sir Walter Scott in his novel Waverley. My yelp was caused not by his elegant legs clothed in striped socks, nor by the exquisite silk waistcoat which reminded me of the mayor's waistcoat in Beatrix Potter's The Tailor of Gloucester.
Mayor of Gloucester's waistcoat, embroidered by mice.

 It was his kilt that startled me. My family once had a connection with this kilt.  In 1880 my great grandmother, Janie Bruce, died aged 42, leaving 11 children. The six youngest children, including my grandfather Rosslyn, were sent to live in Edinburgh with their great uncle, a bachelor aged 71, called William Forbes Skene. William's father, James Skene, had been Walter Scott's best friend, and William was the first person to write a history of Scotland from the Scots point of view: The Highlanders of Scotland, their Origin, History and Antiquities (1837). Shortly after the arrival of his great nieces and nephews, he was made the Historiographer Royal of Scotland. One day the children were bored and labelled the drawers of an old chest with the names of their dolls. Inside was some old tartan cloth, out of which they made tiny kilts for their dolls, one of whom was a sailor-doll called Gerald. The chest had belonged to Bonnie Prince Charlie, and the old cloth was his kilt. John Pettie and William Skene lived in Edinburgh at the same time and probably knew each other. Did Pettie ever see the real kilt, either before or after its re-cycling?
Prince Charles Edward Stuart tartan,
All tartan was banned after the 1745 rebellion
and only reinstated in Scotland in 1822, 

The paintings in this exhibition were collected between 1750 and 1900 and reflect the distinctive tastes of Georges III, IV and V, and Queen Victoria. All the artists were born in Scotland and the romantic episodes they painted contributed to strengthening Scottish identity.

ScottishArtists 1750-1900.

The Queen's Gallery, Buckingham Palace, London.

Until Sunday, 9 Oct 2016

A historical character you might not know by Elizabeth Laird

This is a variant on our occasional series of "Historical characters we just don't get" by sundry History Girls and a wonderful opportunity to introduce you to Elizabeth Laird, who has just joined us as a Reserve HG. (You can read all about her on the About Us Page).


Photo by A Mortensen


                                            Prince Alemayehu of Abyssinia 

Prince Alemayehu of Abyssinia
If you've never heard of Prince Alemayehu of Abyssinia, I feel quite proud to introduce him to you. He's gripped my imagination for many years, and I hope he'll touch your heart, too. A poignant, romantic figure during his short life, Alemayehu's story just won't go away.

The scene of his childhood was the mountain fastness of Magdala, the seat of his father, the Emperor Tewodros of Abyssinia (modern Ethiopia). A man of great vision, intelligence, drive and erratic temper, Tewodros had muscled his way to the throne, subdued his enemies and united Abyssinia under his strong rule. But he wanted, more than anything else, to make alliances with the European powers who were increasingly influential in the lands and seas bordering the Highlands of Abyssinia in the 1860s.

Emperor Tewodros's capital at Magdala
To this end, he wrote letters to Queen Victoria. They were in Amharic, the ancient, beautiful script of his mother tongue. No one in the Foreign Office could read them, and no one thought they were important. They were put into a drawer and forgotten.

Tewodros waited impatiently for an answer. He grew increasingly frustrated, and at last, irritated by what he perceived to be the arrogance of the few Europeans who had made their way to his capital, he threw them into prison and clapped iron chains round their ankles. They included the British consul.


The Emperor Tewodros
It took years for the British to respond, but when at last they did, their reaction was extreme. They assembled a huge army consisting of British and Indian troops along with their horses, elephants, rapid assembly guns, a build- yourself-a-railway kit, and, most important of all, the new weapon of choice for an imperial army – the Snider rifle. Journalists accompanied the army, and artists sent back their depictions of the country and the people by means of the newly established telegraph system.
It took this extraordinary expeditionary force months to sail to the port of Zulla on the Red Sea, unroll their railway across the desert (one of the hottest places on earth), and ascend the narrow, treacherous paths that led hundreds of miles up into the Highlands where Tewodros was waiting, filled with excitement at the thought of seeing a modern European army in action.

The British Expeditionary Force on its way to Magdala
The outcome, of course, was never really in doubt. In spite of the incredible courage of the Abyssinian soldiers, the Snider rifles were invincible. A short, sharp battle soon gave the British control of Magdala, which would be immortalised by the triumphalist British in the name of many a Victorian street and pub. Tewodros, having fought to the very end, until he was almost the last man standing, saw that the game was up, and shot himself.

He left one legitimate son, the seven year old Prince Alemayehu, and a young queen, Tiruwork. Before he died, the Emperor is said to have instructed Tiruwork to entrust Alemayehu to the care of General Napier, who was in command of the British forces (and whose statue glares into Hyde Park from the top end of Exhibition Road). He probably guessed that in the power vacuum that would ensue after his death, the boy's life would be in danger. He also wanted his son to learn what the west could teach him, to become a new, modern kind of ruler.

General Sir Robert Napier
In the aftermath of the battle, the British shamelessly looted the imperial treasury. Tewodros had amassed in Magdala a huge hoard of works of art, exquisitely painted manuscripts, gold crosses, church vestments and icons. Ethiopia is the oldest Christian country in the world, and its artworks are unique and of enormous value. These treasures were picked over by an expert sent especially for the purpose from the British Museum (they're still there), and the rest was auctioned off to the troops.
When the conquering army had reduced Magdala to a smoking ruin, they set off down the mountain paths for home. Alemayehu and his mother went with them.

Queen Tiruwork was already ill, and after a few days of being bumped along in her litter, she died, probably of TB. Little Alemayehu, who had already lost his father, his home and the world he had grown up in, was now entirely alone.

General Napier put the little boy into the care of Captain Speedy, one of those wildly romantic Victorian soldier adventurer figures, who had learned Amharic in an earlier expedition to Abyssinia. Over six feet tall, with red hair and masses of whiskers, Speedy and the little boy formed a deep and unlikely friendship.

Captain Charles Speedy in Abyssinian dress by Julia Margaret Cameron
Back in Britain, little Alemayehu was taken at once to meet Queen Victoria, who adored children and rather fell in love with him. She saw that Alemayehu was comfortable with Speedy, and arranged for him to be paid to foster the little prince. When Speedy married, shortly afterwards, he and his new wife became loving surrogate parents.

Speedy, a career soldier, was posted to India are year or so after returning to Britain, and Alemayehu went too. He seems to have been happy enough in the cantonment, playing with the other children, but it was not to last. The Chancellor, Robert Lowe, insisted that he be brought back to Britain and sent to a proper English public school. After all, thought the good Chancellor, he would only be morally corrupted by associating with Indian children.

So Alemayehu was put into the charge of the headmaster of Cheltenham School, Dr Jex-Blake, who had nine daughters and a cold wife. When Jex-Blake transferred to Rugby School, Alemayehu went with him.
The Entrance to Rugby School
It has to be said that Alemayehu did not shine at school, at least not in his academic work. He came bottom of every class. But he loved sport, especially Rugby football, and was popular with his classmates. His holidays must have been rather bleak. No one knew what to do with him. He was shunted round between the families of courtiers and government officials, and often taken to see the Queen at Osborne on the Isle of Wight, or Balmoral.

Prince Alemayehu as a schoolboy at Rugby
The army seemed to be the obvious destination for Alemayehu. He duly started officer training at Sandhurst, but he was very unhappy there, and Victorian racism meant that everyone assumed that a black officer could not possibly be put in command of white troops.

Before any further decisions could be made, Alemayehu developed pleurisy while staying with his tutor Cyril Ransome (the father of Arthur Ransome) in Leeds. After a short illness, he died. He was nineteen years old.

Queen Victoria was very upset to hear about the death of "dear, good Alemayehu". "It is too sad!" she wrote in her journal. "All alone in a strange country, without a single person or relative belonging to him... His was no happy life".

She arranged for him to be buried in the Royal Chapel at Windsor. There is a plaque to his memory by the west door.

The story doesn't end there, however. British historians, writing from the point of view of conquerors needing to justify their vastly expensive military adventure, wrote off the Emperor Tewodros as a blood thirsty madman. Modern Ethiopian historians have revised this view. Violent and erratic he may have been, but Tewodros is now widely admired as a social innovator, powerful soldier and clever politician.

A (rather fanciful) depiction of the Emperor Tewodros giving audience accompanied by his lions

There is, and always has been, widespread indignation in Ethiopia at the looting of the national treasury, and increasingly urgent calls for it to be returned. There is a move, also, to have the mortal remains of Prince Alemayehu removed from the Royal Chapel at Windsor, and reburied alongside later emperors in the Holy Trinity Cathedral in Addis Ababa.

I have always been fascinated by the "Abyssinian campaign" (as the Victorians called their imperial adventure. I gave in to inner urgings at last, and wrote a novel about Prince Alemayehu. It's called The Prince Who Walked with Lions, and it was published earlier this year by Macmillan.




We're destined to hear more about this tragic young prince. The poet Lemn Sissay (himself an Ethiopian) has chosen him as the subject of his Great Lives broadcast with Matthew Parris, coming soon on Radio 4.


(All photos Creative Commons or out of copyright)